Was revising the two definitions of Typological Instituteds, and at the same time, reading through the seminars of ’59 and ’65 with Indian architects reasoning about — as to why there must not be a ‘national style’ of Architecture but there must be an Architects’ Act.
I thought of typological instituteds in ’97 or ’98, around the time mobile phones and the Internet appeared in New Delhi and out of a commonsense: that it would not longer suffice to think of architecture in the context of the City, or the city as a work of Architecture.
The ‘effect of technology on architecture’, to borrow a phrase from the Seminar of ’59, did not concern me, but the working of the state certainly did – it appeared to increasing rely on techno-scientific transformations – and there remained the question of architects and their ambivalence, how they operated with an aleatory ease the question of an architect-function (so successfully induced into the state by the Architect’s Act) and the collective assemblage of enunciation deployed with some success since ’47, to circumscribe that very function.
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Started reading Civil Engineer and Architect’s Journal, Scientific and Railway Gazette published between 1837 and 1867. I have attached a sample, have a look.
“It is fabulous”, I hear myself saying, this journal.
It starts with an index, not a table of contents (already an invitation to dismantle the whatever the writers and editors have put together), and goes on, … Communications across the Isthmus of Suez, the Medals Awarded by Royal Academy, Thomson’s Tilting Apparatus for Railway Wagons, The Temple of Minerva, Philosophy of Sand Formations … it is continuous, it does not make a thing out of academic boundaries, and I think it well represents the space created in the 19th century as A City-Machine is mobilized, the great variables at the heart of production blur in-and-out of play.
So I start reading it again as if it were a cartography, a map that arrives in advance, and as Borges has it a map whose size will be eventually the size of the Empire. We still find tattered ruins of that map, it is true, indeed sheltering the occasional beggar or animal around the railway station, the Sadar Bazaar, the cantonment, the weather station, the riverbed.
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Machines arrayed in an illusion of homogeneity, computed space – “so we now use the country itself, as its own map, and I assure you it does nearly as well” …
Heritage Cities, Smart Cities, Resilient Cities: an assemblage constitutes itself (“without ‘weight’, without its own ‘mass’, without energy”) by the governments’ pronouncements, and I notice the form of expression, how it induces transversal potentials (Marx already points us in this direction in Future Results…) and distance (think of corporeal city with its mass, energy and memory we have known since the 17th century). I understand how this distance refurbishes the great variables for technicians of space, for all those architects playing at little soldiers, even.
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For this reason I no longer comprehend what Indian architects say: architecture has a social mission, they tell us with certitude, “architecture precedes philosophy” and I only see (repressive) molar machines at the moment of its inception; the name of James Fergusson (who “catalogues buildings like butterflies”) appears again with ease and I see monuments, museums even, that will erected in the name of Architecture the Father.
I hear a shout in the collective assemblage of enunciation, … “give us the money, give us our spectacle, give us our accursed share”, of course, else how will we ever build a “theoretical matrix” for it?
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And I see how easy it is, in the economies of it all, to forget the ‘Indian’ Architect.